Tuesday, March 24, 2009

introduction to my irish literature


my sophomore year of college i decided to branch out. i needed a break between all the intensive science classes i was taking (organic chemistry, electronics and magnetism with calculus, calculus 4...) and so i enrolled in "introduction to irish literature." i don't think i ever had considered irish literature as a genre before this class, but i remember reading yeats in high school. and then of course there was portrait.

there are always those books you have to read in high school, like a tale of two cities and 1984. like most american high schoolers, i read the obligatory hemingway and homer's the odyssey plus a few choice poems and short stories along the way. but my senior year of high school, we expanded into more international territories and read kafka and dostoevsky and camus. and then there was jimmy. and by that of course i mean james joyce. my first exposure to joyce was his strange but marvelously symbolic "the sisters." as someone who doesn't generally enjoy short stories, i was lukewarm about my joyce experience. but then we were given the assignment to read the first section of joyce's a portrait of the artist as a young man.
Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo...
His father told him that story: his father looked at him through a glass: he had a hairy face.
He was baby tuckoo. The moocow came down the road where Betty Byrne lived: she sold lemon platt.

i remember reading this passage and being struck by two things: 1. the style of this work was unlike anything i'd ever read. 2. moocow is a brilliant word. joyce had me hooked from the beginning. the stream of consciousness writing draws you into his unique and visionary world. the incredible opening for this work encompasses the curiosity and wonder of the young boy about whom he writes. the sensation of feeling, the simplicity of language, the use of words like "tuckoo" and "nicens" all accentuate the raw childhood of the central character (or artist, if you will). i voraciously finished this novel and loved (almost - there is that section with the very long church mass) every minute of it. i recall being one of two people in my high school class who proudly declared she loved joyce. i was so inspired by portrait that i composed my senior thesis on the telemachai, or first three chapters, of joyce's ulysses.

although my love of joyce was mostly closeted, i jumped at a chance to enroll in a class on irish literature in college, with the hopes of being reunited with my literary inspiration once again. my introduction to irish literature class didn't really accomplish this. but it did give me fuel for my intellectual fire... and introduced me to other great irish novelists and poets. but that is for another time and place. for now, i just want to tell you artists and creators out there - if you haven't already read joyce's portrait, please do yourself a favor and get a copy of this work. it will inspire you. and if nothing else, then you can at least read all about the moocows.

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